Railroad Earth: Saturday 1/18/20 Live at The Fillmore in San Francisco
Photos provided by concert photographer Kory Thibeault. Check out more of his work at @korythibeaultphoto
Recap provided by nugs.net staff member and Railroad Earth fan Arya Jha
Railroad Earth’s Saturday night performance at The Fillmore in San Francisco was a non-stop dance party. Perhaps it was due to a well-received performance the night before, but by the time the band hit the stage they were well past warmed up and ready to rock. Railroad’s first song of the night “Lordy, Lordy” quickly transitioned from high tempo drumming and long bass riffs into a multi-layered psychedelic jam, setting the tone for a night full of solos and melodies held together by a seemingly infinite rhythm.
Set one continued on, taking a journey through ebbs and flows of uplifting harmonies. The crowd started to settle in and just as the effects of a beautiful light show against the band’s custom made backdrop quieted and entranced the audience, the band busted into spacey but tight banjo-led twang, bringing the room into a knee-slapping roar. ‘Old Man and the Land’ segued nicely into ‘Black Bear’ and bassist Andrew Altman segued nicely into upright bass, maintaining the foundation and tempo of the set regardless. Fiddler Tim Carbone led the band into an upbeat ‘Cuckoo’s Medley’ to end the set as Bill Graham’s chandeliers lit up the ceiling of the venue in a wave of colors.
Railroad Earth’s more recent shows have defied the classical bluegrass and even jam-grass genres through their use of the funk forward B3 Organ, an instrument rarely used by projects whose core is also determined by fiddle and mandolin. It was a true pleasure to see Matt Slocum on keys, and even better to hear how well his Leslie Whirl paired with Mike Robinson’s steel pedal shredding. While set one provided a great deal of harmonic energy, set two opened up room for alternative leads, from Todd Sheaffer’s acoustic guitar to Carey Harmon’s drums, and everything between. Always a crowd-pleaser “Elko” jammed on as fans tossed cards high into the sky in tribute to the lyrics, a true testament to the fanatic Northern California community the band has bred through their annual headlining sets at NorCal’s Hangtown Music Festival. “Captain Nowhere” segued into “1759” segued into “Fisherman’s Blues” played more like ballads but kept the crowd moving. Finally, in an emotional tribute to the historic venue and Jerry Garcia’s San Francisco roots came the short but sweet encore “Old and In The Way”. This show will easily be a fan favorite to regular Railroad Earth listeners, but also a wonderful start to their catalog if you are not yet versed. Railroad Earth’s live show recordings live on nugs.net and you can listen to the two night Fillmore run today.
Starting today, nugs.net subscribers can experience The Rolling Stones like never before. Filmed with stellar quality, a collection of vintage performances from The Rolling Stones’ Vault is now streaming in the videos section of the nugs.net app. There are currently three shows from the 1970s available to watch with more on the way soon. Now is your chance to watch Mick, Keith, and the rest of the band during the golden age of Rock’n’Roll.
We’re back for the first Third Man Thursday of the year and this month’s release is a unique treat. Today, Third Man Records is releasing The White Stripes’ 2001 show at Orange House in Munich, Germany. The show is one of only two known White Stripes shows to be recorded on reel-to-reel tape. Third Man Records’ Co-Founder Ben Blackwell’s write up details the unique process of mastering this show from the 1/4″ tapes:
This show is a remarkable performance in stellar quality. Boy do the Germans know how to record! Of particular interest was the fact that a radio broadcast in 2001 was recorded to 1/4” tape. Just seems like…such an anachronistic move. The fact that the tapes ended up in the Third Man Vault made it all the better to transfer at an appropriately-high bitrate and then share them here. But the tapes themselves were in an incredibly odd iteration which I had never even seen before. They weren’t on reels (or flanges) and instead the tape was all held together by sheer tension around a metal center piece that looks reminiscent of a 45rpm adaptor. I am told they are called AEG hubs. Additionally, the tape was wound with the reels magnetic side OUT. Leave it to our main man Bill Skibbe to track down a German Telefunken tape machine IN DETROIT and work magic on his end. The heads on Telefunken machines face IN, so he had to surgically unspool, respool, edit out dead space AND track down a step up converter as the machine only runs on 220v electricity. I wish everyone had their very own Bill Skibbe to solve technological quandaries like this. I mean, he IS for hire at Third Man Mastering, but I digress.
There are some songs missing here that are included in audio circulating amongst fans, in this instance clearly missed by engineers swapping out reels in real time. Rather than try to include from inferior sourced audio, we’ve chosen to just present the show exactly as it exists on these original tapes. Save for one EARLY gig (1997?) I am unaware of any other White Stripes performances that were captured on reel-to-reel tape, so this feels extra-special. Starting the set with “Death Letter” is peculiar and I love it…I can’t recall any other Stripes performance beginning with that song, but I’m sure some die-hard will take the opportunity to tell me otherwise! Coupled with rousing takes on “Love Sick” and “The Union Forever” the entire performance captivates. A prime example of the on-fire abandon Jack and Meg were brimming with in 2001.
Since 1976, Austin City Limits has been providing Texas and the rest of the world with iconic live sessions. Over the holidays New West Records added more than 15 of the greatest ACL performances of all time to the nugs.net catalog. Experience legendary performances from artists like Guided By Voices, Kris Kristofferson, David Byrne, Steve Earle, and more. The performances span four decades with shows from 1976 through 2004. Each show is available to purchase in the nugs.net store and you can stream the whole collection with the nugs.net app.
We’ve got four action-packed shows from last month’s Strings and Sol festival now streaming. Listen to performances from The Infamous Stringdusters, Leftover Salmon, and Railroad Earth that feature tons of debuts and guests. There are two sets to check out from The Infamous Stringdusters. On December 13th they played a beach set and the next day they returned with a debut cover of “Stairway to Heaven.” The Leftover Salmon show features Del and Ronnie McCoury on a pair of tunes and multiple live debuts.