Introducing Exclusive Concert Livestreams for nugs.net Subscribers
We’re excited to announce our newest feature — Subscriber Exclusive Livestreams. In addition to unlimited streaming of our massive, unrivaled catalog of music including over 25,000 official live concert recordings and 100s of full video-on-demand concerts in HD and 4K, subscribers will now have special access to an exclusive slate of free livestreams and performances included with their subscription service. With this incredible, new benefit, paid subscribers will have a front row seat to watch their favorite artists perform live from anywhere in the world, at no extra cost.
Billy Strings Live at The Ryman Auditorium in Nashville, TN
We’ve teamed up with GRAMMY Award-winning singer, songwriter, and musician Billy Strings to offer subscribers exclusive access to Strings’ three-night run of shows from Nashville’s historic Ryman Auditorium on May 6, 7, & 8. An ongoing slate of iconic, genre-spanning performances will be announced over the next few weeks, including not-to-be-missed concerts streaming live from Tipitina’s JazzFest in New Orleans, Philadelphia’s Ardmore Music Hall, and Colorado’s iconic Red Rocks Amphitheatre.
Sign up to access nugs.net’s growing lineup of Subscriber Exclusive Livestreams at nugs.net/exclusive.
nugs.net is thrilled to announce exciting new additions to its catalog of live concert recordings.
Over the past two decades, pioneer live music streaming platform nugs.nethas evolved into the leading source for official live concert recordings from the largest touring artists in the world. With an ever-expanding digital archive of more than 25,000 concerts and hundreds of on-demand videos of full shows from marquee acts like Metallica, Pearl Jam, The Rolling Stones, Dead & Company, and Phish, nugs.net provides music fans VIP access to their favorite concerts anytime, anywhere. Throughout April, nugs.net is adding an iconic, genre-spanning collection of new artists and live concert recordings to their massive, unrivaled streaming library, including an epic selection of new and archival shows from Jack White, DARKSIDE, Pixies and more.
Jack White’s Supply Chain Issues Tour Concert Audio
On the heels of releasing his eagerly awaited new album, FEAR OF THE DAWN, Jack White kicked off his Supply Chain Issues Tour last week with two sold-out shows at Detroit’s Masonic Temple Theatre. The tour, which features White’s first headline shows in four years, will make 50+ stops across North America, Europe, and the United Kingdom through late August. In partnership with nugs.net, White will offer official soundboard audio from every stop on the tour, available to stream exclusively via nugs.net here: nugs.net/jackwhite. Of the new partnership, Third Man Records co-founder Ben Blackwell shares, “While we’ve been recording all Jack White live shows for years, only now did it finally feel right to release all of them quickly after the performance. And with nugs.net as our partner…we couldn’t be happier with the results.”
Six Epic Sets from Psychedelic Duo DARKSIDE
Beginning today, music fans around the globe can enjoy full-length concerts from DARKSIDE, the psychedelic collaboration between electronic producer Nicolas Jaar and guitarist Dave Harrington, who have partnered with nugs.net to bring two visually driven, atmospheric performances, as well as official soundboard audio from five epic concerts to the platform’s extensive streaming catalog for the first time. Watch DARKSIDE’s intimate sunset show overlooking the Manhattan skyline, Psychic Live set at Stereolux in Nantes, and more streaming exclusively on nugs.net here: nugs.net/DARKSIDE.
26 Pixies Archive Concert Recordings
Alt-rock icons Pixies also join nugs.net this month. 26 full-length concerts from the archives, including recordings from 1991 and the band’s 2004 reunion tour, will be available to stream on April 21 at nugs.net/thepixies. All shows feature the band’s original lineup: frontman Black Francis, guitarist Joey Santiago, bassist Kim Deal, and drummer David Lovering. Highlights include Pixies’ first show in 11 years at the intimate Fine Line in Minneapolis, a performance on the mainstage at Coachella, and a 2004 sold-out, four-night run at Brixton Academy in London.
Immersive 360 Reality Audio
Throughout the month, nugs.net will continue to bring the live concert experience to music lovers worldwide. Stream iconic performances and classic albums by David Bowie, Pink Floyd, and Janis Joplin in immersive 360 Reality Audio, which brings the electricity of live music and the energy of a crowd to you like never before. Experience exclusive live recordings from the Bruce Springsteen Archives, like The Roxy ’75, as if you were in the room with the E Street Band on the Born to Run Tour. Listen to the classic Jefferson Airplane Volunteers album the way it sounded in the studio, and hear David Gilmour play “Wish You Were Here” with the Polish Baltic Philharmonic Orchestra like you’re in the crowd of 50,000 fans. For more information and to start listening visit: try.nugs.net/360.
nugs.net is excited to stream selected shows and albums in immersive 360 Reality Audio, which brings the electricity of live music and the energy of a crowd to you like never before. Using spatial audio technology, 360 Reality Audio captures vocals, instruments, and the sounds of a live audience and brings them to you in spherical sound.
Stream iconic performances and classic albums by David Bowie, Pink Floyd, and Janis Joplin on the nugs.net app. Experience exclusive live recordings from the Bruce Springsteen Archives, like The Roxy ’75, as if you were in the room with the E Street Band on the Born to Run Tour. Listen to the classic Jefferson Airplane Volunteers album the way it sounded in the studio, and hear David Gilmour play “Wish You Were Here” with the Polish Baltic Philharmonic Orchestra like you’re in the crowd of 50,000 fans.
Each recording is also streaming in stereo for our Premium subscribers, and select concert videos have been newly mixed with 360 Reality Audio sound for the first time ever and are now streaming on demand.
Every Saturday, nugs.net founder Brad Serling broadcasts a handpicked show in full on Concert of the Week, his new show on nugs.net radio (SiriusXM 716). Up next on April 9 at 8 pm ET: The Revivalists‘ Key West show in 2019. Hear the New Orleans-based roots band, known for electric live shows (and a super-passionate fan base), play a set spanning their first four albums following the release of 2018’s Take Good Care.
nugs.net is excited to be working with SiriusXM to make live music even more accessible to fans across the country. Listen to nugs.net radio on SiriusXM Channel 716 for new live recordings and full concerts from Billy Strings, Dead & Company, Pearl Jam, and more. In addition to the Saturday 8 pm ET Concert of the Week, Brad also broadcasts The Weekly Live Stash, which he’d previously hosted for a decade on SiriusXM’s JamOn, on Fridays at 5 pm with a curated mix of recent live shows.
In case you missed this week’s Weekly Live Stash, nugs.net subscribers can stream Brad’s playlist on demand:
The supergroup Golden Smog was first formed in Minneapolis in 1989. The band was always seen as a rotating cast of musical characters from the Midwest dedicated to alternative country and superior songwriting and has included members of all your favorite bands: Big Star, The Replacements, Soul Asylum, The Jayhawks, Wilco, and more. They have put out four records as Golden Smog since 1995 and hadn’t performed live since 2019.
These Golden Smog reunion shows were originally scheduled for April of 2020 but were obviously postponed due to the pandemic. Over the weekend, Golden Smog got back together for two nights to perform at Minneapolis’s legendary First Avenue with Jeff Tweedy from Wilco, Gary Louris & Marc Perlman from The Jayhawks, Dan Murphy from Soul Asylum, Kraig Johnson, and Jody Stephens from Big Star.
Night one, Saturday, April 2nd, had the band take the stage in great spirits to open with “Looking Forward To Seeing You” from 1998’s Weird Tales. The band sounded great together; a bunch of old pals getting back together like they were high schoolers in a garage (except with probably combined 50+ years of touring experience under their belts).
The charm of Golden Smog comes down to everyone taking turns at the mic. Like a Gen X Traveling Wilburys, it’s exciting to hear Louris sing a cover of David Bowie’s “Starman” before Tweedy goes right into “Walk Where He Walked.” The encore on night one started with Tweedy & Louris as a duo singing “Radio King” from Down By The Old Mainstream.
Night two featured similar setlists with some important differences: Different covers were performed each night (night one had the Brian Wilson classic “Love And Mercy” and night two includes a take on The Kinks’ “Strangers”). Both nights featured Jeff Tweedy’s son, Sammy, joining for a cover of Neil Young’s “Helpless”. To have these old friends back together, playing this music that is absolutely timeless, has got to be one of life’s most special gifts. To quote “Radio King”:
“Your music fills my car And your voice breaks every time I’m still wonderin’ If I know who you are I hang on every line”
Setlist (Night 1): Looking Forward to Seeing You Lost Love To Call My Own V Yesterday Cried Glad & Sorry (Faces cover) Red Headed Stepchild Starman (David Bowie cover) Walk Where He Walked He’s a Dick Pecan Pie Ill Fated Long Time Ago Signed D.C. (Love cover) I Can’t Keep From Talking Won’t Be Coming Home You Make It Easy Love and Mercy (Brian Wilson cover) If I Only Had a Car Corvette
Encore: Radio King Listen Joe Helpless (Neil Young cover) (Sammy Tweedy on lead vocals) Until You Came Along
Setlist (Night 2): Looking Forward to Seeing You Lost Love To Call My Own V Making Waves Glad & Sorry (Faces cover) Red Headed Stepchild All the Same to Me Easy to Be Hard (Galt MacDermot cover) Frying Pan Eyes Listen Joe Long Time Ago Pecan Pie You Make It Easy Ill Fated Strangers (The Kinks cover) Scotch on Ice She Don’t Have to See You Won’t Be Coming Home I Can’t Keep From Talking If I Only Had a Car
Encore: Please Tell My Brother Radio King Helpless (Neil Young cover) (with Sammy Tweedy) Until You Came Along (with Sammy Tweedy)
Though Springsteen’s 1992-93 World Tour ran a full calendar year, his first outing sans E Street Band carried the sense of a perpetual work in progress for good reason.
Bruce had not one but two albums’ worth of material to integrate from Human Touch and Lucky Town; a challenging balance to strike between familiar and new material; and a bigger, rootsy-er band attempting to hold its own in the shadow of E Street, but from which he could summon the magical vocal power of a gospel choir. As my friend Aaron would say, a tricky biscuit.
The previous Archive release from this tour, Boston 12/13/92, featured 16 songs from the new companion albums. Five months later in Berlin, the main set shifted significantly, as nine songs from Human Touch and Lucky Town are joined by 14 “classics” (six culled from Born in the U.S.A.), five covers, plus a four-song acoustic appetizer to open the show, a unique design feature of the European gigs.
What the result lacks in narrative cohesion it makes up for in distinct, compelling moments as Bruce—alone, and with his new (save for Roy Bittan) companions—walks an alternate musical path through it all. Berlin 5/14/93 serves as an exemplar of the unique period that was Europe ’93.
As the lone keyboard player on the 1992-93 tour, Bittan does a lot of heavy lifting. A greater-than-usual reliance on synthesizers, primarily via Roy’s Yamaha DX7 (the first widely adopted digital synth), is akin to Max Weinberg’s drum triggers on the back half of the Born in the U.S.A. tour.
Both belong to a specific place and time in the sonic landscape, because they are so prominent in the live mix of their respective eras, they can feel obtrusive by today’s standards. If you find yourself bumping on Roy’s DX7, recalibrate your modern ears—this is the sound of 1992-93.
Berlin opens with something we can all agree on: a wonderful, four-song acoustic set that commences with the Christic Institute arrangements of “Darkness on the Edge of Town” and “Adam Raised a Cain.” How thrilling it must have been to see these solo performances in their striking new renditions, and Bruce was just getting started.
The world premiere of “Satan’s Jeweled Crown” follows, with Bruce joined by the backup singers who emphasize the church-pew side of the “country-gospel song” first popularized by the Louvin Brothers. The stately hymn only appeared in the set six times, five in Europe in 1993, making this a rare and welcome addition to the Live Archive series.
If those three tunes to start weren’t enough, how about the shorts-soiling inclusion of unreleased-at-the-time BIUSA outtake “This Hard Land”? When met with a knowing cheer, Bruce responds, “Yeah, you bought the bootlegs. You shouldn’t have done it.” The song was still two years away from its official release on Greatest Hits In 1995, so for hardcore fans, “This Hard Land” in the show was a holy grail.
As noted above, Springsteen taps his classic catalog further in Berlin than he did in 1992, with some tracks translating off E Street more successfully than others. The choir vocals of the backup singers bring a soulful sweetness to songs like “Hungry Heart” and “Working on the Highway.” The 1992-93 band always nails “Badlands” and does here, too.
A spare take of “The River,” which the audience greets with an enormous cheer, is the vocal highlight. Bruce sings it fresh, poignant, and true above Bittan’s gorgeous piano. The peak comes with the trio of “Downbound Train,” “Because the Night,” and “Brilliant Disguise.” The last of these offers unexpectedly intriguing guitar from Shane Fontayne, while Bruce himself tears off a steamy solo in “Because the Night,” which also gains gravitas from the vocalists.
But there’s no mistaking the rise in Bruce’s enthusiasm when he moves from songs like “Atlantic City” and “My Hometown” to Human Touch/Lucky Town material like “Man’s Job” and “Leap of Faith.” Vocal inflection and energy signal his commitment, and, to a song, the recent additions have strong outings in Berlin, with fine performances of “Better Days,” “Lucky Town,” “Human Touch,” and the elegiac, underrated encore high point, “My Beautiful Reward.”
The one place where old and new combine to stirring effect is the denouement coupling of “Souls of the Departed” and “Born in the U.S.A.,” framed by several Jimi Hendrix-inspired bars of “The Star-Spangled Banner.” With Roy Bittan triggering news soundbites of troubles, domestic and foreign, these parallel stories of the human toll taken by such conflicts form one seamless, biting statement that lands harder than anything else in the show.
Bruce’s choice of covers also confers deep resonance on the Berlin performance. The aforementioned “Satan’s Jeweled Crown” is a God-fearing, serious tune and sits right at the intersection of the church and the Opry. “Who’ll Stop the Rain” and “Rockin’ All Over the World” are familiar fare, yet always welcome, especially with big gospel voices adding layers of soul. Those voices come up even bigger on Jimmy Cliff’s “Many Rivers to Cross,” presented in straightforward and powerful fashion. It was one of the consistent highlights of these 1993 concerts.
Speaking of resurrections, after four sterling performances on 1988’s Tunnel of Love Express Tour, Springsteen brought “Across the Borderline” back into four 1993 setlists, the last of which was Berlin. The song is most closely associated with Ry Cooder, who wrote it with John Hiatt and Jim Dickson. Like Tom Waits’ “Jersey Girl,” “Across the Borderline” is a leading candidate for the most Springsteen-esque song Bruce has covered but didn’t write. The Berlin version is blessed with the heartfelt vocals of Gia Ciambotti, Carol Dennis, Cleopatra Kennedy, Bobby King, and Angel Rogers, who bring majesty to a predominantly synthesizer- and guitar-led arrangement.
Such 1993 highpoints surely inspired Springsteen to combine the best of both worlds in 2012 as the Wrecking Ball tour brought E Street Band and E Street Choir together. In fact, “Many Rivers to Cross” featured in the last warm-up gig in Austin before the start of the proper Wrecking Ball tour.
Work-in-progress or not, the 1993 European tour, as captured on a May night in Berlin, remains a fascinating exploration of Bruce’s wide, musical aperture, especially when seen as the antecedent for some of what was to come.