From Ben Blackwell, official archivist of The White Stripes
Opening for Sleater-Kinney, the September 2000 performance at the Southgate House would be the first of three Stripes performance at the venue in the span of 8 months. Built in 1812, the Southgate once hosted Abraham Lincoln and was also the birthplace of the inventor of the Tommy Gun.
On this inaugural visit to the club we were told that it was haunted by a female apparition from the 1850s. Waiting in the widow’s peak everyday, she would watch for the riverboat her husband worked on. The Southgate House is situated prominently on bluffs on the Kentucky side so she could easily view its daily arrival and departure. One day, out of nowhere, the ship exploded into flames. Instantly struck with grief that her husband had perished, she hanged herself. In a cruel Shakespearean twist, that proved to be the day her husband had missed the boat, his life spared.
Yeah, if that happened to me I’d be haunting the shit out of that place too. There are other tales of Confederate soldier sightings in the halls, random specters, all-around wholesome fun for the entire family.
The band C.O.C.O. was scheduled to go on first of this evening but got caught up in some Indiana speed ticket drama and would not make it to the club in time to play their set. So the Stripes went on first, something they would only do a handful more times in their career, primarily when the Strokes or Rolling Stones were also on the bill.
Highlights for me in this show include Jack’s delivery in “Cannon” where he stretches the title out and sings it as “cannon-non-non-non-non” in a way I don’t recall him ever doing before or since. And the skeletal “Dead Leaves and the Dirty Ground” just ALMOST where it needs to be, one Bug Muff pedal away from the overdrive the song would need to become a continual set-opener for both the Stripes and his solo career.
After the show, we hung out at the Comet in Cincinnati and then crashed at Patrick Keeler’s house for the evening.